©1999 by James
A. Fowler. All rights
reserved.
You are free to download this article provided it remains intact without alteration.
You are also free to transmit this article electronically provided that you do so
in its entirety with proper citation of authorship included.
The illustrator of these
parodies is Aaron Eskridge.
For contact and information about Aaron: Illustrator's
Page
text below graphic
Once upon a time there was
a king. He was king over the vast kingdom of Ecclesiastica. This
king was known far and wide for his vain delight in royal vestments.
Aware of his propensity
to lust after the ego-satisfying need-fulfillment of "pomp
and circumstance," two enterprising con-artists offered
to stitch for him some royal finery "fit for a king."
They explained that their product was so extraordinary and supernatural
that it was visible only to the elite and knowledgeable, and
invisible to those who "did not have eyes to see."
"Take my order," begged the king. "Money is no
object!"
The king's assistants in
charge of "quality control" did not want to appear
ignorant, unenlightened or unspiritual, so they went along with
the con-game. They gushed with praise for the non-existent garments.
"Beautiful!" "Inspiring!" "Moving!"
The citizens of the kingdom determined that it was in their best
interest to "play the game" also. They, too, extolled
the features of the fanciful and farcical finery.
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Pompous
pride outweighed practicality, prompting the king to organize
a parade through the aisles of the kingdom. All the subjects
were cowed by fear into saying nothing about the absence of clothing.
They only repeated pious platitudes of respect for royalty.
But one young child
had not been "cued" for the pretense. When the king
passed by him the child exclaimed, "The King doesn't have
any clothes on!"
They attempted to "shush"
him, but the unspeakable had been spoken and everyone knew.
Despite the exposure of
his exposure, the king continued to play out the charade, declaring,
"The procession must continue."
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With all due respect to
Hans Christian Andersen and his germinal thought in the fairy-tale
of "The Emperor's New Clothes," the retelling and adaptation
of the story reveals much about the state of ecclesiasticism
today.
The church is caught up
in vested interests and in "pomp and circumstance."
Rather than being "clothed in righteousness," the church
is naked in its hypocrisy. Everyone is joining in the codependent
denial of "I'm OK; you're OK!" They are living a lie
of self-delusion, and such behavior creates a fraudulent society
of dysfunctional socialization.
Fear of ostracism and reprisal
compels everyone to "play the game" and say nothing.
Should anyone be inclined to speak out, the damper of social
consensus for the maintenance of the status-quo is applied. Criticism
is out of order: "Don't touch the Lord's anointed"
(I Chronicles 16:22).
Christians tend to see in
their church whatever they want to see. It takes the innocence
of a child, the "mouth of a babe," or the intrepidity
of a prophet to speak out and reveal the pretense.
The world around us already
sees our nakedness, our lack of substance, as we parade our pompous
piety. To continue the procession after the illusion of "being
clothed and in our right mind" has been revealed, is fraudulent
delusion enacted by a "deluding influence" (II Thessalonians
2:11).
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